United Kingdom, France, United States · 2015
Rated R · 1h 36m
Director Max Joseph
Starring Zac Efron, Wes Bentley, Emily Ratajkowski, Jonny Weston
Genre Drama, Music, Romance, Comedy
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Young Cole Carter dreams of hitting the big time as a Hollywood disc jockey, spending his days and nights hanging with buddies and working on the one track that will set the world on fire. Opportunity comes knocking when he meets James Reed, a charismatic DJ who takes the 23-year-old under his wing. Soon, his seemingly clear path to success gets complicated when he starts falling for his mentor's girlfriend, jeopardizing his new friendship and the future he seems destined to fulfill.
Besides Bentley’s performance, the only thing “We Are Your Friends” has going for it is the occasional directorial flourish, with words on screen or characters addressing the camera or that painterly drug trip. These jolts are few and far between, but they’re most welcome when they arise.
Village Voice by Amy Nicholson
Remake The Graduate today, and an adult might corner Benjamin Braddock and whisper, "Startups." Debut director Max Joseph gives that a good shot, though the result — the EDM-fueled, drug-laced dream-crusher We Are Your Friends — is so sweaty and silly people may not notice.
Slant Magazine by Christopher Gray
As Zac Efront's Cole tiptoes away from his past, the film keenly observes a character who doesn't know how to secure his future, or his identity.
[An] enormously fun late-summer surprise.
Zac Efron makes a convincing bid for movie stardom — and Ratajkowski proves she’s more than just a pretty face — in this flawed but fitfully entertaining film, even if it all goes a bit Pete Tong at the end.
The Hollywood Reporter by Jon Frosch
We Are Your Friends is predictable, sometimes tacky, but the energy is unflagging, the eye candy plentiful and writer-director Max Joseph (making his feature debut after hosting MTV’s Catfish) brings sincerity and a skillfully modulated sweetness to the material.
We Are Your Friends” has its heart in the right place, and it’s shrewd and cuddly enough to get a few likes. But it would be an infinitely better movie if it sustained the sort of trancelike sonic ecstasy that turns fans into fanatics.
Ultimately too busy fracturing his story’s focus and indulging in gimmicky textual graphics to really tap into either Hollywood’s or electronica’s magnetic appeal, Joseph’s debut proves to be a film with mood to spare but nothing much to say.
Chicago Sun-Times by Richard Roeper
Talk about a mediocre mash-up. Much of We Are Your Friends plays like an Electronic Dance Music update of a very good John Travolta movie — “Saturday Night Fever” — with a liberal sprinkling of plot elements from a quite terrible Tom Cruise movie called “Cocktail.”
Screen International by Tim Grierson
The feature debut of director Max Joseph can occasionally be as entrancing and euphoric as the pulsating dance songs on the soundtrack. But even an empathetic performance from Zac Efron (and an impressive, nuanced turn from Wes Bentley) can’t distract from a movie that mistakes surface flash for probing, zeitgeist-y insights.
When Carole follows Delphine back to her family farm in the conservative French countryside, the two find gay rights and feminism are not as easily accepted in the countryside.
On V-E Day in 1945, Princesses Margaret and Elizabeth defect their chaperones and sneak off for a wild evening in London.
Documentary about the arena-packing Swedish DJ, chronicling his explosive rise to fame and surprising decision to retire from live performances in 2016.