Washington Post by Ann Hornaday
A bummer, but one that manages to stick to its depraved convictions until the strange and bitter end.
✭ ✭ ✭ ✭ Read critic reviews
Italy · 2002
1h 41m
Director Matteo Garrone
Starring Ernesto Mahieux, Valerio Foglia Manzillo, Elisabetta Rocchetti, Lina Bernardi
Genre Drama, Romance
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Peppino is an aging taxidermist constantly ridiculed for being short and somewhat creepy. He meets Valerio, a handsome young man fascinated by Peppino's work. Peppino, in turn, becomes entranced by Valerio and offers him a large salary to come work as his assistant. But when Valerio meets Deborah, their fledgling romance is threatened by an insanely jealous third wheel.
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Washington Post by Ann Hornaday
A bummer, but one that manages to stick to its depraved convictions until the strange and bitter end.
Director Matteo Garrone's measured approach and soulfully humane focus combine to dignify the characters, allowing the tale of solitude, longing and sorrow to inch quietly under the viewer's skin.
Christian Science Monitor by David Sterritt
Mahieux gives a bravura performance as the title character. Director Garrone keeps the story involving even though it doesn't quite live up to the star's strong talents.
Washington Post by Desson Thomson
Garrone's movie finds a disconcerting niche between edgy character thriller and black comedy.
New York Daily News by Elizabeth Weitzman
At moments, the story skirts uncomfortably close to the grotesque. But this atmospheric oddity delivers a surprisingly sensitive take on the overwhelming ache of loneliness.
Skillfully directed and adroitly acted.
An effectively macabre and fiendishly entertaining tale of lust, unrequited love and the fine art of taxidermy.
Both the actor and the character deserve a better movie, one that might have channeled the latter's desires into more than just a few rote genre thrills.
The New York Times by Stephen Holden
The screenplay evokes this psychosexual power struggle with perfect accuracy and finely tuned performances.
Director and co-writer Matteo Garrone infuses The Embalmer with a spooky eroticism. The film is dark, both in theme and visual composition.
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