✭ ✭ ✭ Read critic reviews
Australia, United States · 1998
Rated R · 1h 40m
Director Alex Proyas
Starring Rufus Sewell, William Hurt, Kiefer Sutherland, Jennifer Connelly
Genre Mystery, Science Fiction
Please login to add films to your watchlist.
John is wanted for a string of brutal murders — that he doesn’t remember committing. While on the run from the police, he stumbles into a nightmarish underworld controlled by a group of telekinetic beings known as “the Strangers.” But who is John — and who are they?
Fascinating, visionary filmmaking. With its amber-tinged palette and its distinctively dystopian view of life, it may be the most unique-looking film we've seen in ages...[but] defies logic and makes frightening and unexpected leaps.
The Globe and Mail (Toronto) by Liam Lacey
An almost really good movie...risks leaving the viewer feeling like one of the bewildered automatons that move through the plots.
TV Guide Magazine by Maitland McDonagh
It's all about the amazing look, cobbled together from an astonishingly evocative range of sources: "Nosferatu" and "Mad Love," "Brazil" and "Metropolis," a haunted mosaic of bits and pieces of movie memories.
[Proyas] hasn't yet learned how to enliven his characters as fully as his sets. Part of this is structural (somnolence is built into the script), but the greater fault lies with Proyas' direction of his performers, most of whom deliver their lines in a strangulated whisper.
Chicago Tribune by Michael Wilmington
Proyas' movie lacks a truly rich or compelling story -- although the city secret is certainly a rich and compelling idea. All too often, Dark City seems a great production design in search of a movie, an ultimate modern film noir pastiche, in which the images are so strong they overpower the drama. [27 Feb 1998]
San Francisco Chronicle by Peter Stack
Dark City grabs your eyeballs and squeezes.
Chicago Sun-Times by Roger Ebert
A great visionary achievement, a film so original and exciting, it stirred my imagination like "Metropolis" and "2001: A Space Odyssey."
The New York Times by Stephen Holden
So relentlessly trippy in a fun-house sort of way that it could very easily inspire a daredevil cult of moviegoers who go back again and again to experience its mind-bending twists and turns. Although its story doesn't add up when you analyze it afterward, the movie does take you on a visually arresting ride that offers many unsettling surprises right up to a sentimental sunburst of an ending that has a paranoid undertone.
Washington Post by Stephen Hunter
If you don't fall in love with it, you've probably never fallen in love with a movie, and never will.
It's only a state of mind.
For these children kidnapped by a mad scientist determined to stay young, happily ever after really is just a dream.
A team of astronauts is sent to the sun in order to try and revitalize its heat and prevent humanity’s extinction.
The 1920 Horror Masterpiece
God made him simple. Science made him a god.
Vampire Miriam considers taking a new companion as her fellow vampire John begins to age rapidly.
After being chained in a cellar for the first 17 years of life, Kaspar is freed and abandoned, left to wander.
A poetic evocation of the life of Armenian poet Sayat Nova
What gave us our beginning, will lead to our end.
When enigmatic vagrant Borgman arrives in modern suburbia, his presence quickly destroys the facade of an arrogant, upper-class family.
A son is mutilated by his mother — and that’s just the beginning.