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The Bourne Identity

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United States, Germany, Czech Republic · 2002
Rated PG-13 · 1h 59m
Director Doug Liman
Starring Matt Damon, Franka Potente, Chris Cooper, Clive Owen
Genre Action, Drama, Mystery, Thriller

Wounded to the brink of death and suffering from amnesia, Jason Bourne is rescued at sea by a fisherman. With nothing to go on but a Swiss bank account number, he starts to reconstruct his life, but finds that many people he encounters want him dead. However, Bourne realizes that he has the combat and mental skills of a world-class spy—but who does he work for?

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What are critics saying?

63

New York Post by Jonathan Foreman

A lean, deftly shot, well-acted, weirdly retro thriller that recalls a raft of '60s and '70s European-set spy pictures. There are even moments when you hope it could turn into a modern "Charade."

60

TV Guide Magazine by Ken Fox

This savvy adaptation of Robert Ludlum's action-clogged 1980 bestseller benefits from the fact that the filmmakers were smart enough to throw out most of the book's preposterous spills and thrills and concentrate instead on its intriguing central character.

75

Chicago Tribune by Mark Caro

Liman packs enough firepower into The Bourne Identity to please the summer action fan, including a reshot climax that contains one of the niftier stunts I've seen recently. The centerpiece action sequence is a bravura car chase through Paris, yet the moments that bookend it are equally impressive.

75

Baltimore Sun by Michael Sragow

The Bourne Identity keeps you in a state of nervous excitation from the opening shot to the fade-out and has a thread of deadpan humor that vibrates alongside the main action like a third rail quivering next to a hurtling train.

58

Entertainment Weekly by Owen Gleiberman

It has a few whispers of intrigue, but at the heart of The Bourne Identity lies a dispiriting paradox: The more that Jason Bourne learns about himself, the less arresting he seems.

80

Time by Richard Schickel

The result is an escapist fantasy that is -- Damon's and Potente's persuasive performances aside -- as weightless and inconsequential as a musical. And at the moment every bit as welcome.

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