100
This great film, made with uncompromising honesty and devastating reality, is, according to Jean-Luc Godard, "the world in an hour and a half."
What are people saying?
What are critics saying?
100
Perhaps the greatest and most revolutionary of Bresson's films, Balthazar is a difficult but transcendently rewarding experience, never to be missed.
100
To cut to the chase, Robert Bresson's heart-breaking and magnificent Au Hasard Balthazar (1966) -- the story of a donkey's life and death in rural France -- is the supreme masterpiece by one of the greatest of 20th-century filmmakers.
100
Los Angeles Times by Manohla Dargis
If in Bresson's films nothing ever seems out of place or superfluous it's because he strove to find the essential truth of the image. Not an image or sound is wasted -- or offered up in self-glorification -- and from such seeming simplicity there arises a world of feeling.
100
Chicago Tribune by Michael Wilmington
1966 French masterpiece -- the finest, most deeply personal work of a filmmaker who has been compared, justifiably, to both Dostoyevsky and Bach.
100
Chicago Sun-Times by Roger Ebert
Bresson suggests that we are all Balthazars. Despite our dreams, hopes and best plans, the world will eventually do with us whatever it does.
100
To see Au Hasard Balthazar is to understand the limits of religious literalism in movies -- the limits, even, of movies themselves. Bresson pares everything away until all that's left are the things we do and the hole left by the things we could have done but didn't.
100
Seattle Post-Intelligencer by William Arnold
The final scene of Balthazar's demise is one of cinema's most moving and haunting moments.