Inch'Allah

New York Daily News by

Though Inch’Allah — which translates to “God Willing” — has good performances and fine location photography, its irresponsible attitude towards terrorism goes too far.

The New York Times by Jeannette Catsoulis

Grim, intelligent and vividly photographed by the director’s father, Philippe Lavalette, Inch’Allah works best when the camera alights on Ava and Rand, whose marvelously mobile faces convey all the complexity that Chloe lacks.

The Dissolve by Mike D'Angelo

Inch’Allah tries hard, and serves up a few moments of compelling specificity, but for the most part, it has little to offer beyond good intentions. For a subject this daunting and knotty, that isn’t nearly enough.

Los Angeles Times by Sheri Linden

Director Anais Barbeau-Lavalette builds a persuasive sensory immediacy in Inch'Allah, even as her story grows increasingly contrived.