50
As a tale of mature self-sacrifice, the movie would be almost unbearably moving were it not for Knightley's insubstantial performance, which allows her to be fatally upstaged by Ralph Fiennes.
What are people saying?
What are critics saying?
60
Director Saul Dibb, presumably knowing that this is pretty standard stuff for a costume epic, occupies us not just with the usual visuals -- of his star drifting through exquisitely furnished estates, draped in rich silks and brocades -- but also with some intriguingly offbeat sights.
50
ReelViews by James Berardinelli
It has impeccable production values but feels like a "Masterpiece Theater" production of a Harlequin romance novel.
40
Wall Street Journal by Joe Morgenstern
Instead of scintillation, the movie gives us a succession of discrete set pieces, as if the action takes place in rooms but not in the halls connecting them.
60
A serviceable picture that offers all the sumptuous visual pleasures of a historical costume drama, yet little in the way of actual history.
70
The Hollywood Reporter by Kirk Honeycutt
Keira Knightley is a terrific choice to play the 18th century socialite.
75
Entertainment Weekly by Lisa Schwarzbaum
Fiennes speaks with his body what the script cannot formulate about what it's like to be a man apart. The actor creates particulars of time, space, class, and personality with one crook of a finger, one twist of a wrist. I call that nobility of craft; he's the actors' prince.
40
The New York Times by Manohla Dargis
An overstuffed, intellectually underbaked portrait of a poor little rich girl.
83
Thoroughly populist and middlebrow, full of all the high wigs, thick powder, perfect diction, and straightforward dialogue that define bodice-ripping prestige pictures about silently suffering souls.
75
Rolling Stone by Peter Travers
It's Knightley who makes The Duchess a royal treat.