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Harry Potter and the Deathly Hallows: Part 1

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United Kingdom, United States · 2010
Rated PG-13 · 2h 26m
Director David Yates
Starring Daniel Radcliffe, Rupert Grint, Emma Watson, Ralph Fiennes
Genre Adventure, Fantasy

Harry, Ron, and Hermione walk away from their last year at Hogwarts to find and destroy the remaining Horcruxes, putting an end to Voldemort's bid for immortality. But with Harry's beloved Dumbledore dead and Voldemort's vicious Death Eaters running rampant, the world is more dangerous than ever.

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What are critics saying?


Empire by

The first and third acts are over-busy; the middle one moves like an arthritic house-elf. Still, a decent smattering of magic moments and tension's pumped up sky-high. Bring on Part 2.


Austin Chronicle by Kimberley Jones

This is a quest movie, with a lot of ground covered, and just as our heroes never stay long in one place or feel safe in their surroundings, neither does the audience.


Charlotte Observer by Lawrence Toppman

It's grim, funny in one sequence about shapeshifters, vivid in moments of violent action, nearly devoid of plot twists and marked by long patches where Harry, Ron and Hermione camp in the woods or by the sea or near a frozen lake and ponder What It All Means.


Entertainment Weekly by Lisa Schwarzbaum

Harry Potter and the Deathly Hallows - Part 1 also bravely faces the future, slipping with expert ease among the thrilling mass of complications (and complicated set pieces) that Rowling throws fans in the final sprint, then guiding the faithful to the fate that awaits everyone in this world, the moment called The End.


Chicago Tribune by Michael Phillips

With that kind of financial imperative it's something of a miracle the Potter films have been, on the whole, good. One or two, very good. One or two (the first two), less good. This one's good.


Boxoffice Magazine by Pam Grady

The film might have ended at its action-packed and ultimately moving climax, but screenwriter Steve Kloves goes one step farther. He finds the perfect cliffhanger, one that emphasizes just how dangerous young Mr. Potter's situation really is and definitely leaves the audience anxious for the next chapter.


Boston Globe by Wesley Morris

For a studio so clearly willing to take risks with so many of its movies, this particular movie has a whiff of exploitation. Rowling wrote one epic funeral that Warner Bros. requires us to attend twice.

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