The New York Times by Dana Stevens
Succeeds in illuminating an almost unimaginably dark story.
✭ ✭ ✭ Read critic reviews
Germany, Luxembourg, Czech Republic · 2004
1h 38m
Director Volker Schlöndorff
Starring Ulrich Matthes, August Diehl, Hilmar Thate, Bibiana Beglau
Genre Drama
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Catholic priest Henri Kremer, who is imprisoned in Dachau, is unexpectedly given a leave of nine days. He returns to his home, Luxembourg, where a SS officer tries to convince him to tell his priest to work with the Nazis. Kremer soon finds himself facing a difficult choice: betray his church or return to the concentration camp.
The New York Times by Dana Stevens
Succeeds in illuminating an almost unimaginably dark story.
Powerful, concise, fully sustained.
Christian Science Monitor by David Sterritt
This is moviemaking on the highest dramatic, psychological, and moral plane.
A thoughtfully written drama of ideas with vivid performances by August Diehl and Ulrich Matthes.
New York Daily News by Jack Mathews
Earnest but ambling drama.
It's important for the film to establish the concentration camp as a hell on earth from the start, but Schlöndorff has more in mind than creating another reminder of the inhumanity of fascism.
A grim meditation on faith and betrayal that focuses on a relatively obscure corner of Holocaust history: the fate of the Catholic clergy under the Third Reich.
The Hollywood Reporter by Kirk Honeycutt
The film is thought-provoking but not terribly involving.
Village Voice by Michael Atkinson
Plays best as a dry exercise in historical doublespeak and rationalization.
It doesn't measure up to Schlondorff's 1979 Oscar winner, "The Tin Drum," but it's compelling nevertheless.
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Let the festivities begin.