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Final Destination 3

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Germany, United States · 2006
Rated R · 1h 33m
Director James Wong
Starring Mary Elizabeth Winstead, Ryan Merriman, Kris Lemche, Alexz Johnson
Genre Horror, Mystery

A student's premonition of a deadly rollercoaster ride saves her life and a lucky few, but not from death itself – which seeks out those who escaped their fate.

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What are people saying?

What are critics saying?

50

Variety by Justin Chang

In the story's one major stroke of invention, the usual premonitions of death have been replaced with a set of photos.

25

The A.V. Club by Keith Phipps

Fans of the genre might appreciate the decidedly R-rated violence and nudity, but that's really all the film has to offer.

60

Empire by Kim Newman

Sequelcraft 101 – if you liked the others, this is more of the same. Extra points for using a nailgun on pigeons.

50

Dallas Observer by Luke Y. Thompson

It makes it clearer than ever before that these films are comedy. Granted, the sick kind of comedy that involves laughing at stupid people being ripped in half, but we know there are plenty of you out there.

50

Austin Chronicle by Marc Savlov

A horror film (or, more accurately, a shocker film) that takes such exuberant, gleeful delight in the unspeakably gory dispatch of assorted teenagers that it may well be the most fun you'll have at the movies all week.

20

Village Voice by Mark Holcomb

Rote sequel that surely no one was waiting for: Like the serially thwarted Death (the only "character" to return from the first two Final Destination movies), audiences are required to endure banal exposition and junior-high-level foreshadowing before being treated to the nauseatingly detailed scenes of CGI slaughter.

60

The Hollywood Reporter by Michael Rechtshaffen

The plot's pretty lame, the dialogue is downright hokey, and the characters are a bore, but somehow Final Destination 3 (an oxymoron if there ever was one) still delivers a certain degree of over-the-top amusement.

50

Chicago Sun-Times by Roger Ebert

The problem with "FD3" is since it is clear to everyone who must die and in what order, the drama is reduced to a formula in which ominous events accumulate while the teenagers remain oblivious.

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