Weisz and Claflin make a memorable couple, but it’s too bad their chemistry is wasted on such a wan drama. A little less taste and a little more oomph might have made all the difference.
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This is a fresh and un-stuffy period drama mostly, but it could have done with a pinch more danger.
Weisz shows her Oscar-winning talents by hitting precisely the right notes throughout My Cousin Rachel: from warmth to guile to chilly practicality.
After a while, the enigmatic nature of Rachel Weisz's character starts to feel less like an enticing mystery than a narrative trick.
For all the strong performances and able filmmaking, My Cousin Rachel never quite coheres.
It’s pure pleasure to watch Weisz as Rachel, who is also an actress of sorts, adapting to suit the needs and desires of whoever she’s seducing. Her manipulations feel more intuitive than conniving and need not be explicitly sexual per se.
Credit Rachel Weisz, who's just the dynamite actress needed to play a character who could be a misunderstood innocent or a fortune-hunting seductress who could be a cold-blooded killer. How delicious to watch the star keep us guessing.
Michell ensures that the cryptic finale to My Cousin Rachel isn’t so much a solution as an invitation to an argument on the drive home from the cinema.
There's enough dark sizzle between leads Rachel Weisz and Sam Claflin to keep the audience involved through the underpowered middle stretches before the film regains its footing, delivering a disquieting shiver of a conclusion.
My Cousin Rachel is a well-turned, well-acted literary adaptation that suffers from a built-in problem: The hero is a twit.