70
The New York Times by A.O. Scott
The Orphanage, a diverting, overwrought ghost story from Spain, relies on basic and durable horror movie techniques.
What are people saying?
What are critics saying?
63
The Orphanage's joys come from the experiential: Bayona's cultured technical skills, including some phenomenal sound design, and sustained anxiety. It's about as healthy as junk food gets.
70
Los Angeles Times by Carina Chocano
An unexpectedly poignant ghost story.
90
A great horror movie is like a good shrink--and a lot cheaper, too. It purges us through petrification. That horror movie, thankfully, has arrived. It's called The Orphanage," and it is seriously scary.
90
A fastidiously grim ghost story that rattles the bones of the haunted-house genre and finds plenty of fresh (but not too bloody) meat.
75
TV Guide Magazine by Maitland McDonagh
The filmmakers know the tropes of spooky movies: Glowering shadows, squeaking playground equipment, eerie storms and half-glimpsed forms, but the film rests on Rueda's subtle, intense performance, rooted in every half-articulated anxiety that ever gnawed at a parent's brain.
70
There’s not really a bogeyman in The Orphanage and not much blood; just insane intensity and a building sense of bad vibes.
75
Chicago Tribune by Michael Phillips
As in “Pan’s Labyrinth,” The Orphanage relies on a risky blend of clinically realistic horrors and poetic suggestions of an alternate world, one that can be visited, but at a price.
83
While some of the trappings and even some of the plot elements could easily be called unoriginal, Bayona and screenwriter Sergio G. Sánchez arrange them in a fresh way, crafting an emotionally resonant, nerve-jangling experience.
70
The Hollywood Reporter by Richard James Havis
This Spanish supernatural thriller begins interestingly and finishes intriguingly. But what lies between drags because the film lacks a driving story line.