Hernandez's debut feature is a thuddingly slow, often wordless portrait of emotional pain.
A Thousand Clouds of Peace Fence the Sky, Love; Your Being Love Will Never End(Mil nubes de paz cercan el cielo, amor, jamás acabarás de ser amor)
Mexico · 2003
1h 23m
Director Julián Hernández
Starring Juan Carlos Ortuño, Salvador Alvarez, Gloria Andrade, Llane Fragoso
Genre
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A teenager discovers that mending a broken heart is no simple thing in this independent romantic drama from Mexico. Gerardo (Juan Carlos Ortuno), a 17-year-old who has recently embraced his homosexuality, has just parted ways with his first serious boyfriend, Bruno (Juan Carlos Torres). Gerardo has fallen into a deep depression after losing Bruno, and he drifts through Mexico City, where he meets and makes love with a number of attractive strangers. However, his hedonistic adventures cannot wash away the pain in his heart. The first feature-length project from director Julian Hernandez, Mil Nubes de Paz Cercan el Cielo, Amor, Jamás Acabarás de Ser Amor was screened at the 2003 Berlin Film Festival, where it received the Teddy award, given to the best Gay or Lesbian-themed film shown at the fest.
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What are people saying?
What are critics saying?
Handsome but dramatically static drama.
New York Daily News by Elizabeth Weitzman
Self-indulgent in the extreme, Julián Hernández's laconic ode to heartbreak feels like the work of a lovelorn teenager.
If first-time writer-director Julián Hernández lets his knotted narrative get away from him too often, he nevertheless shows a miraculous sense of style for a 31-year-old.
It all amounts to something less than an 80-minute Calvin Klein advertisement.
A murky and morbid dirge of a gay romance.
Los Angeles Times by Manohla Dargis
Graced with a shimmering visual style and sense of lyrical self-consciousness that owes a debt to French visionary Jean Cocteau, the modest film provides further evidence of Mexico's recent cinematic renaissance.
The New York Times by Stephen Holden
A bleak, static mood piece about adolescent emptiness. There's little dialogue, and what there is offers the scantest information about Gerardo, who, as played by Mr. Ortuño, conveys an impenetrable blank-faced melancholy.
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