United Kingdom · 2014
Rated R · 1h 59m
Director Tom Green
Starring Johnny Harris, Sam Keeley, Joe Dempsie, Kyle Soller
Genre Thriller, Drama, Science Fiction
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Seven years on from the events of Monsters, and the ‘Infected Zones’ have spread worldwide. Humans have been knocked off the top of the food chain, with disparate communities struggling for survival. American soldiers are being sent abroad to protect US interests from the Monsters, but the war is far from being won.
Here, the monsters are entirely incidental to the story. Instead we are forced to sit through 119 punishing minutes of what plays like a dorm-room answer to modern war films, complete with the constant profanity and masculine hysterics that pass for impact in an immature script.
An unconventional sequel to an unconventional film, this works as a standalone picture with its own distinctive take on alien invasion but also expands what now seem like a franchise with potential to deliver more and varied snapshots of human behaviour in extreme circumstances.
The Hollywood Reporter by Leslie Felperin
Whatever the filmmakers' subtextual intentions may be, the film certainly gets stronger and more compelling as it goes on, thanks in part to intense emoting on the part of its cast, with Harris, Keeley and especially Soller standing out particularly.
Los Angeles Times by Martin Tsai
Whereas the original "Monsters" was a road movie about an odd couple fleeing an alien-infested zone, "Dark Continent" cribs from contemporary war movies like "The Hurt Locker" and "American Sniper," then tosses in extraterrestrials as an afterthought.
Ambitiously staged and impressively shot, Monsters: Dark Continent makes a bold stab at mounting a franchise but lacks the vision and surprise of its predecessor.
The Playlist by Oliver Lyttelton
A sour, tedious and derivative film that doesn't just prove disappointing in its own right, it actively makes us resent the first film retroactively for inspiring it.
Though the sequel features far more footage of the giant beasts, including a spectacular nighttime scene in which one of the bioluminescent creatures ejects phosphorescent spores into the desert sky, the story remains stubbornly focused on relatively uninteresting human concerns.
Green seems to be asking: In the face of beasts whose scale and life cycles we can't begin to grasp, how can we allow our fellow human beings to be so unknowable?