Closer to the Moon

The Hollywood Reporter by John DeFore

[A] semi-convincing yet enjoyable tale, relying on familiar names in a cast that acquits itself well given the demands of the unusual plot.

The New York Times by Manohla Dargis

Mr. Caranfil never manages to negotiate the thickets of ambiguity, tragedy and bleak comedy, although the problem may be that someone behind the scenes just didn’t see the profit in a no-exit narrative.

The Dissolve by Mike D'Angelo

Caranfil, who’s made several previous features in Romanian, struggles throughout to find the right tone, mostly in vain. There’s no way to know whether he was hampered by the need to go international, but the film’s general lack of authenticity certainly doesn’t do it any favors.

Slant Magazine by Nick Prigge

Writer-director Nae Caranfil oddly forgoes the abundant elegiac aspects of his film's factual material for a tone approaching the ebullient.

Observer by Rex Reed

It’s a metaphorical stretch for a simple movie title, but never mind. Closer to the Moon still manages to be a strange blend of history, black humor and art.

Variety by Ronnie Scheib

If Caranfil’s mix of comedy and tragedy seems too scattershot to fully achieve catharsis, it does boast a rather Jewish sense of humor, itself a curious testimonial to the past.