The problem is that Rosenberg's drama all but sinks under the weight of its serious subject matter and ponderous script; and there are too many iffy performances from the big-star cast (Faye Dunaway, James Mason, Orson Welles and all). [04 Feb 2006, p.53]
What are people saying?
What are critics saying?
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The New Yorker by Pauline Kael
As the lines drone on -- paced with a sledgehammer -- you may feel you could die for a little overlapping dialogue. But with this material you can't even have the frivolous pleasure of derision.
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The New York Times by Vincent Canby
Movies as clumsy, tasteless and self-righteous as this are worse than merely boring. By exploiting the tragedies of real people, some wildly fictionalized, The Voyage of the Damned attempts to turn them to profit without giving them any measure of the respect that is due.