Deborah Chow's ridiculously implausible yet still predictable tale of guilt and redemption is so bipolar in tone that when it's not a more linear rip-off of Guillermo Arriaga's grim and gritty melodramas (21 Grams, Babel), it's the kind of quirky indie romance that made Braff's name.
What are people saying?
What are critics saying?
30
60
Shared tragedy can bind together the most unlikely of people. Movies often make too much of that truism, but surprisingly committed performances from actors like these can still make it feel like something meaningful.
70
The cast is uniformly good, but Isabelle Blais especially stands out as Natalie.
80
Los Angeles Times by Kevin Thomas
Set in a noirish, gleaming Montreal, this handsome, captivating, well-paced and stylish film is fully realized in every aspect.