Austria · 1997
Rated R · 1h 49m
Director Michael Haneke
Starring Ulrich Mühe, Susanne Lothar, Arno Frisch, Frank Giering
Genre Drama, Horror, Thriller
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A wealthy family takes a vacation to a remote lake house, but the vacation takes a violent turn when the family is held hostage by two psychotic young men. The men force the family to play a series of sadistic and deadly “games” for their own amusement.
Funny Games condescends to its audience like a pretentious, preachifying graduate student in post-modernism. It would help us out of the cultural quagmire we're drowning in, if only we could understand its highly convoluted and exclusive language. [29 May 1998, p.1E]
New York Daily News by Dave Kehr
Denying us any catharsis, Haneke becomes a stern, finger-wagging lecturer; he seems to mean his movie as punishment, conveniently forgetting his own role in the crime. [11 March 1998, p.38]
The film is shocking and upsetting, but never truly gets under the skin the way this kind of material often can. Whatever reservations are prompted by Haneke's approach, his direction is controlled and edgy. [20 May 1997, p.52]
Haneke's admonishments are disturbing only in the sense that they're never self-critical, and while watching one of his films, there's always a sense that he thinks he's above his characters, his audience, and scrutiny.
It's a film you might argue with, but its sparing use of on-screen violence, some extraordinarily protracted scenes and sensitive handling of thorny subject matter make it also a film you ought to see.
Austin Chronicle by Marc Savlov
It's an uncomfortable, distressing, and altogether provocative take on the global culture of media violence that not only draws in hapless viewers, but also forces them into fait-accompli acceptance, like it or not.
Chicago Tribune by Michael Wilmington
Funny Games is an intellectual's suspense film, which ultimately tries to critique and demystify violence. But, since our responses are never all cerebral, that's not entirely possible.
Miami Herald by Rene Rodriguez
The movie gives you what you think you want, and then gives you some more, and just when you think things can't get any worse, Haneke swoops in and smashes the wall between fiction and reality, turning the viewer into a direct accomplice to what's transpiring onscreen. It is an astonishing film, sure to be controversial, and quite simply unforgettable. [30 Jan. 1998, p.6G]
The audience is indicted for its bloodlust. There's perversity in paying admission to get harshly scolded, and Funny Games is not for the squeamish, but this may be one time to step up and take the licking you deserve.
The New York Times by Stephen Holden
Funny Games observes the family's excruciating terror and suffering with the patient delight of a cat luxuriantly toying with a mouse that it is in the process of slowly killing. Posing as a morally challenging work of art, the movie is a really a sophisticated act of cinematic sadism. You go to it at your own risk.
All the moments they thought nobody was watching, caught on tape.
Perversion --- at its absolute best.
A musical about gangsters in prohibition-era New York with exclusively child actors.
Can a movie go too far?
A woman’s life begins to spiral out of control as she becomes paranoid after hitting something with her car.
Tom Ripley, who deals in forged art, suggests a picture framer he knows would make a good hitman.
When a married couple's house is burglarized, they find themselves subject to stalking by a mentally unstable cop.
Tears. Laughter. Innocence. It was a summer of remembering.
See them all in a film about fantasy. And reality. Vice. And versa.
71 scenes detailing a college student who murders four people before committing suicide in his car on Christmas Eve
In rural Germany just before World War I, strange things are happening to a once-ordinary, authoritarian village society.
Love never ends.
Three girls in 1980s Stockholm decide to form a punk band.
A former couple reunites after their son's death, having received a letter with a shocking request.
Once you see this film, you can never watch an action movie again. I'm only half kidding. Funny Games is not for the faint of heart but, for those who think that the blood and gore of contemporary horror or the ultra-violence of action cinema has desensitized them from violence, this film will pummel your taste for suspense back into reality and make you realize the artificiality inherent to all on-screen violence.
Horrific. An absolute nightmare, albeit one that is flawlessly constructed and executed. A direct assault on our archetypal Manichaean perceptions of narrative, whereby light always overcomes darkness. There is none of that in this. All rules are broken to maximize pain and terror. Fascinatingly, Haneke knows this. He is fully aware of the effect the film has on his audience. He predicted exactly how we would feel and how we would react. He directly exposes and critiques our hypocritical perceptions of violence in the cinema, and brings us to question why we normalize such violence in the first place. This was simultaneously the most frustrating (as Haneke clearly anticipates), horrifying, and "real" film I have ever seen. However, I cannot, in good conscience, claim that I enjoyed the experience, as it has been personally designed by Haneke to be as uncomfortable and disturbing as possible. Funny Things is the epitome of hopeless cinema. An excruciating but riveting watch. I can only recommend this for the strong-willed, it certainly is not a film for the faint of heart.