The most off-key notes here are the sentimental ones: When David Kelly shows up, reprising the wise-trustee role he had in the horticulture-behind-bars movie "Greenfingers," it's as though some twee script gremlin sneaked in and meddled with the Guy Ritchie schematics.
What are people saying?
What are critics saying?
Washington Post by Desson Thomson
Dramatically lackluster.
New York Daily News by Elizabeth Weitzman
In Mean Machine, soccer is pretty much an excuse to watch a bunch of grown men smashing their heads together. Which, come to think of it, may be enough.
Los Angeles Times by Kevin Thomas
Mean Machine may not have the resonance to linger in the memory affectionately as "The Longest Yard" does, but it plays well, with a fast pace and plenty of punch.
Entertainment Weekly by Owen Gleiberman
After too many ''Full Monty''s, it has come to look like nothing so much as a coy ritual of emasculation.
Miami Herald by Rene Rodriguez
Disappointingly straightforward remake.
The Globe and Mail (Toronto) by Rick Groen
Barely a chuckle in sight.
Chicago Sun-Times by Roger Ebert
Guy Ritchie, who started out as such an innovator in "Lock, Stock, etc.," seems to have headed directly for reliable generic conventions as a producer. But they are reliable, and have become conventions for a reason: They work. Mean Machine is what it is, and very nicely, too.
Portland Oregonian by Shawn Levy
A by-the-numbers recipe that ought to have shot off at least a few sparks, is as drab as the inmates' prison blues.
Philadelphia Inquirer by Steven Rea
A likably energetic star vehicle for English sports god Vinnie Jones.