Fulltime Killer(全職殺手)

Christian Science Monitor by David Sterritt

The story matters less than the style, full of swooping camera movements, rapid-fire editing, and color-drenched displays of violence the Hong Kong school is famous for.

Village Voice by Dennis Lim

There's plenty to enjoy -- in no small part thanks to Lau.

Variety by Derek Elley

High-octane plunge into pop gangster psychology.

Film Threat by Eric Campos

Exciting, but not completely original.

TV Guide Magazine by Ken Fox

The film is filled with the kind of choreographed carnage that became synonymous with Hong Kong action during the genre's heyday, but there's an elegiac self-consciousness to it all that acknowledges that while the best is behind us, there's still something to be said about its passing.

Los Angeles Times by Manohla Dargis

Style is content in action movies, but when all the style originates elsewhere, it's just plain lazy.

Seattle Post-Intelligencer by Sean Axmaker

Underworld opera of the bravura kind, this is driven, like most Hong Kong action, more by emotion than logic.

Film Threat by Tim Merrill

On the whole this is pretty standard shoot-‘em-up fare. Bang, crash, boom -- yawn.

Boston Globe by Ty Burr

Filmed with panache, wit, chic amorality, and an inexhaustible supply of Micro Uzi ammunition, ''Killer'' nevertheless represents a baroque dead end for the Hong Kong action genre.

New York Post by V.A. Musetto

The story won't win any prizes for coherence, but that doesn't much matter. As in most Hong Kong thrillers, it's the visuals - love those boldly choreographed shootouts! -- and moments of absurdity that count.