Attenberg

Village Voice by

While Tsangari may have borrowed Attenborough's "British phlegmatic tenderness," as she calls it, Attenberg is worlds away from a nature documentary.

Slant Magazine by Andrew Schenker

A boldly conceived assemblage of diverse and seemingly random fictional materials, Athina Rachel Tsangari's Attenberg is concerned with nothing less than those hardy perennials: sex, death, and modernity. And coming of age a little too late.

The New Yorker by Anthony Lane

The father's resignation to that fate is, on balance, the most compelling aspect of the film, and I will not readily forget the sight of him staring out over the town and mourning the long history of his homeland. "We built an industrial colony on top of sheep pens," he says, "and thought we were making a revolution." Maybe Attenberg is topical, after all.

Empire by David Parkinson

Tsangari proves she's one of the freshest voices in European cinema with this offbeat character piece.

Time Out by Eric Hynes

Attenberg shares with the Oscar-nominated "Dogtooth" a weakness for overgrown innocence and deadpan perversity.

IndieWire by Eric Kohn

With its persistent inventiveness and a lack of unearned sentimentality, the movie provides an antidote to a lot of lazily produced dramas about death, American or otherwise.

The Globe and Mail (Toronto) by Rick Groen

What a strange, moving, puzzling, funny, frustrating and ultimately absorbing film this is.

The A.V. Club by Scott Tobias

Stripped of all its random weirdness, Attenberg has the premise of a classic Yasujiro Ozu drama like "Late Spring," with its relationship between a widower approaching death and a devoted daughter who needs to leave the nest before it's too late.