The Umbrellas of Cherbourg(Les parapluies de Cherbourg)

Variety by

It takes nerve to make a pic in which all dialog is sung. Also, there is no dancing and this is not a filmed operetta or opera. [review of original release]

Washington Post by Desson Thomson

Demy, his cinematographer Jean Rabier and production designer Bernard Evein created an operatic masterpiece of romanticism, which makes a modest but effective antidote to the harsh era of cynicism that has pervaded world cinema ever since.

Washington Post by Hal Hinson

A glorious romantic confection unlike any other in movie history.

ReelViews by James Berardinelli

Although most movies favor passion and true love, The Umbrellas of Cherbourg shows that another less demanding, more subtle kind of love has its own appeal.

Village Voice by Jessica Winter

The wonderful-terrible dervish of Umbrellas reaches peak abandon, worthy of Vincente Minnelli, when Geneviève sobs out a plaint for Guy as a carnival whirls outside the shop.

Chicago Reader by Jonathan Rosenbaum

A heartfelt, passionate, tragic musical suite made up of these formulas, which the film both celebrates and wryly examines to discover their inner logic: how they actually work, what they do and don't do.

Los Angeles Times by Kevin Thomas

The Umbrellas of Cherbourg has stood the test of time as beautifully as Deneuve and seems likely to enchant future generations as fully as it has audiences over the past four decades.

Chicago Sun-Times by Roger Ebert

A surprisingly effective film, touching and knowing and, like Deneuve, ageless.