100 Streets

Slant Magazine by

Throughout the film's three interconnected stories, Jim O'Hanlon favors the blunt, maudlin manipulations of Crash.

Los Angeles Times by Gary Goldstein

It’s six or so characters in search of a meaningful movie.

Variety by Guy Lodge

While the film initially exercises commendable restraint in braiding its separate narratives, its second half grows increasingly reliant on pat connections and coincidences.

The Guardian by Peter Bradshaw

The complete jigsaw doesn’t fit together, hampered by plot implausibilities and unrealities.

Observer by Rex Reed

The actors are fine, but the material doesn’t give their talents much room to stretch.

The Telegraph by Robbie Collin

Intertwining, Altman-esque social tapestries are all well and good, but the connections between characters should ideally run a little deeper than having them occasionally stroll past each other in the street.

The Hollywood Reporter by Sheri Linden

Though there’s clearly a compassionate impulse behind Leon F. Butler’s class-conscious screenplay, it rapidly devolves into implausible melodrama.