Philadelphia Inquirer by Desmond Ryan
Piously acted, stiffly directed, and infused with a view of world politics that might charitably be described as delusional.
Canada · 2000
Rated PG-13 · 1h 40m
Director Vic Sarin
Starring Kirk Cameron, Brad Johnson, Janaya Stephens, Clarence Gilyard Jr.
Genre Drama, Fantasy, Science Fiction, Thriller
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Rayford Steele is an airline pilot whose relationship with his wife has gone sour;he ponders having an affair with an attractive flight attendant, Hattie Durham. In the midst of a flight to London, a number of their passengers mysteriously disappear, and chaos takes hold as a number of vehicles on the ground and in the air are suddenly unmanned. Meanwhile, Buck Williams, a television journalist, is pondering the rash of sudden disappearances as he works on a report about Dr. Chaim Rosenzweig, an Israeli scientist who has devised a formula that would make any soil on earth easy to cultivate. However, Buck wonders if there's more to Rosenzweig than he first imagined when he discovers the doctor is in cahoots with two multi-millionaires who plan to broker the invention to promote their own agenda of international domination.
Philadelphia Inquirer by Desmond Ryan
Piously acted, stiffly directed, and infused with a view of world politics that might charitably be described as delusional.
Washington Post by Desson Thomson
A blundering cringefest, thanks to unintentionally laughable dialogue, hackneyed writing and uninspired direction.
New York Daily News by Elizabeth Weitzman
With an appealing lead in Cameron, and a nicely brisk pace, there's a decent, midlevel Apocalypse movie here. But be aware that you will have to peel away several pages of the Bible to get to it.
Might be extremely effective while preaching to the converted, but it's no great shakes as secular entertainment.
Chicago Reader by Jonathan Rosenbaum
Seems perfectly timed to coincide with the ascension to office of George W. Bush. It's a clunky effort Bush could have written and directed.
Charlotte Observer by Lawrence Toppman
It's well-shot and well-edited by Hollywood standards, though special effects don't reach the top Hollywood level. The stars have their hearts in their work: Cameron and Johnson don't have great depth but give their all. Currie makes a subtle villain.
TV Guide Magazine by Maitland McDonagh
This picture's b-movie values probably play better on video than in theaters.
Austin Chronicle by Marjorie Baumgarten
The loosely scripted story is further burdened with clunky dialogue and performances, shoddy continuity.
The New York Times by Stephen Holden
For all its intimations of fire and brimstone, the film isn't remotely frightening, and the high-school-level acting doesn't help.
Watching Left Behind's plodding screen adaptation may make you feel the Deity has already abandoned us to a shockingly dull post-apocalypse.
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