Christian Science Monitor by David Sterritt
The drama makes up in intellectual weight what it sometimes lacks in psychological interest and cinematic realism.
Italy, Israel, France · 2002
1h 40m
Director Amos Gitai
Starring Andrei Kashker, Moni Moshonov, Yussuf Abu-Warda, Helena Yaralova
Genre War, Drama
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In May 1948, shortly before the creation of the State of Israel, hundreds of immigrants from across Europe arrive in Palestine--only to risk arrest by British troops.
Christian Science Monitor by David Sterritt
The drama makes up in intellectual weight what it sometimes lacks in psychological interest and cinematic realism.
A largely dull history lesson stripped of any backgrounding, peopled with archetypes rather than fully-drawn characters, and features self-consciously arty direction that gets in the way of story-telling.
New York Daily News by Elizabeth Weitzman
Has the stilted, slightly surreal feel of a stage piece. Sometimes it works, but too often it doesn't.
Mesmerizingly bad filmmaking.
Gitai uses fictionalized characters to dramatize historical reality, and while minimalist in its presentation, the film becomes nearly operatic in its intensity.
Kedma makes for a clumsy, lugubrious history lesson.
The New York Times by Stephen Holden
But for all its provocation, Kedma is an often dull, incoherent film, and its characters remain frustratingly sketchy
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Dr. Carl Jung takes the unbalanced yet beautiful Sabina Spielrein as his patient under the supervision of Sigmund Freud.
An ex-assassin comes out of retirement to find the men who stole from him.
Why are they here?
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