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Adore

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Australia, France · 2013
Rated R · 1h 40m
Director Anne Fontaine
Starring Naomi Watts, Robin Wright, Xavier Samuel, James Frecheville
Genre Drama

Lil and Roz are two lifelong friends, having grown up together as neighbors in an idyllic beach town. As adults, their sons have developed a friendship as strong as that which binds their mothers. One summer, all four are confronted by simmering emotions that have been mounting between them, and each find unexpected happiness in relationships that cross the bounds of convention.

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What are critics saying?

30

Village Voice by

The disparity between the inherently trashy appeal of the story and the self-serious way it's presented cripples much of the potential for enjoyment. The setup screams pulp, but the film doles out stately drama.

80

The Guardian by Damon Wise

An incredibly provocative piece of work, featuring a brave and vulnerable performance by Naomi Watts (who seems perhaps a little too young) and a career-high acting masterclass from Robin Wright (who is cast perfectly).

30

The Hollywood Reporter by David Rooney

Everything is spelled out literally and at a stultifying pace, in a story that might have worked onscreen as either heightened melodrama or farcical comedy. Instead Fontaine, who is not exactly blessed with a light touch, opts for misplaced sincerity.

30

Variety by Justin Chang

A ludicrous melodrama that begs to be handled as an over-the-top sex farce is instead treated with the solemnity of a wake, albeit one with a rather lenient dress code.

60

Time Out by Keith Uhlich

You can barely stifle a laugh, and the way Wright and Watts deliver rote, morally searching dialogue with deer-in-the-headlights stoicism (“We’ve crossed a line,” Lil blankly notes) doesn’t help matters.

40

The Dissolve by Mike D'Angelo

Given the level of sophistication at which the movie operates, they might as well have called it Motherlover, after the Lonely Island video in which Andy Samberg and Justin Timberlake sing about the exact same taboo foursome. The only significant difference is that the comedy in “Motherlover” is fully intentional.

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