New York Magazine (Vulture) by
Brilliant, tightly focused, and momentous.
✭ ✭ ✭ ✭ ✭ Read critic reviews
United States, United Kingdom, France · 2006
Rated R · 1h 51m
Director Paul Greengrass
Starring Trieste Kelly Dunn, Starla Benford, Kate Jennings Grant, J.J. Johnson
Genre Drama, History, Crime, Thriller, Action
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A real time account of the events on United Flight 93, one of the planes hijacked on 9/11 that crashed near Shanksville, Pennsylvania when passengers foiled the terrorist plot.
New York Magazine (Vulture) by
Brilliant, tightly focused, and momentous.
The result is a tense, documentary-style drama that methodically builds a sense of dread despite the preordained outcome.
This is first-rate, visceral filmmaking, no question: taut, watchful, free of false histrionics, as observant of the fear in the young terrorists' eyes as the hysteria in the passenger cabin, and smart enough to know this material doesn't need to be sensationalized or sentimentalized.
Greengrass’s movie is tightly wrapped, minutely drawn, and, no matter how frightening, superbly precise.
Best understood as a memorial…Like most memorials, it is respectful, premised on competing obligations to the dead and the living, and eager to stress that the deaths were not in vain. It not only tells us we should never forget but also illustrates how we should remember.
ReelViews by James Berardinelli
United 93 is powerful not only in the way it provides hope through the actions of a few unlikely heroes, but in its ability to take us back through time to a day many of us would prefer not to remember, but will never forget.
We all lived through this not so long ago; it's an odd thing to make a film whose most striking effect is its ability to bring the feelings of Sept. 11 flooding back, then close on a profoundly disturbing note. A crasser film would have been easier to digest and dismiss. It's hard to do either with United 93, and that's either its genius or its folly.
The Hollywood Reporter by Kirk Honeycutt
Greengrass has made not only a thoroughly fact-checked film but a film that uncontrovertibly comes from the heart.
Entertainment Weekly by Lisa Schwarzbaum
Pulling the bandage of sentiment cleanly away from oozing concepts like ''heroism'' and ''our nation's war on terror'' in the aftermath of recent wounds, here's a drama about the most politically charged crisis of our time that grants the dignity of autonomy to every soul involved.
It's a long, brutal and honest look at a shattering event some Americans would apparently prefer not to see depicted - but also a respectful, inspiring one that's in no way exploitative or emotionally manipulative.
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