An interesting premise but stodgy, suspense-free execution.
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What are critics saying?
Khan’s orchestration of suspense impresses.
Paddy Considine's benumbed ambiguity at least works against writer-director Shan Khan's reduction of honor killings to grist for the cheapest of pulpy thrills.
The New York Times by Jeannette Catsoulis
Mr. Khan displays a strong visual sense that makes pivotal scenes pop. The unlikely ending strains credulity, but what this confident debut lacks in subtlety, it more than makes up in execution.
A serious subject receives a simplistic treatment in an ill-conceived thriller in which the emotive (and timely) issue of honour killings becomes just another plot device.
Aiysha Hart delivers a mesmerizing performance.
The Hollywood Reporter by Stephen Dalton
An uneven mix of serious issue movie and sensational thrill ride, Honour is no masterpiece, but it is an accomplished debut.
RogerEbert.com by Susan Wloszczyna
Honour, for good and bad, is nowhere near as gruesome and downbeat as its subject might suggest.
Shan Khan’s feature debut swaggers into its subject with more cocksure style than cogent analysis, like a tabloid splash designed to grip first and (if at all) illuminate later.