The details ring true and the performances smart in Mackenzie’s prison movie. You wouldn’t meet Jack O’Connell’s tasty glare in a boozer, but try taking your eyes off him here.
What are people saying?
What are critics saying?
The New York Times by A.O. Scott
Though it is, finally, an affecting story of two damaged men bound by blood and something like love (and also a thrillerish catalog of double crosses and shifting allegiances), it is, above all, a study in the patterns of chaos that govern penitentiary life.
A brutal, immersive prison survival story with a breakout performance by British actor Jack O’Connell.
Slant Magazine by Elise Nakhnikian
The cautious optimism with which it answers questions about rehabilitation and forgiveness is credible because the characters and setting feel so thoroughly authentic.
Mackenzie (whose previous credits include "Perfect Sense" and "Young Adam") applies a sharp kitchen sink realism to this haunting setting and directs it toward an ultimately moving family drama that just happens to involve vicious convicts.
The supporting cast all do excellent work too, but this is Eric’s story, and so it’s O’Connell’s film. His performance is a revelation.
The pic owes its believability to Asser, who served as a therapist similar to Oliver’s character, drawing from his experience to shape the world. Asser brings more than just realism, however, crafting the central father-son relationship on the foundation of classical Greek tragedy.
It's halfway-strong, just under-dramatised; goodness, though, if it doesn't show what O'Connell is capable of.
The Hollywood Reporter by Todd McCarthy
Some years from now, Starred Up, a rough, violent and, to American ears, half-indecipherable British prison drama, will be remembered as the film that announced a new star, Jack O’Connell.
Time Out London by Tom Huddleston
It’s disappointing when Starred Up begins to lapse into soapy cliché.