While it has a few appealing qualities, as a whole it amounts to a well-intentioned bag of missed opportunities.
What are people saying?
What are critics saying?
Between the charming Copley performance, the ingenious visuals, the absolutely incredible all-electronic Hans Zimmer score (seriously, this is one of his best ever), and the propulsive narrative thrust (Blomkamp is rarely singled out for how swiftly he moves things along, plot holes be damned), there is a lot to appreciate and even love about Chappie.
It’s too bad that neither the philosophy nor the pyrotechnics on-screen in Chappie can distract you from your own sinking feeling that you’ve seen almost all of this before.
Intelligence, artificial or otherwise, is one of the major casualties of Chappie, a robot-themed action movie that winds up feeling as clunky and confused as the childlike droid with which it shares its name.
The Guardian by Peter Bradshaw
Chappie is a broad, brash picture, which does not allow itself to get bogged down in arguing about whether or not “artificial intelligence” is possible. It has subversive energy and fun.
The Telegraph by Robbie Collin
It’s a brawny, inventive action romp that’s as happy firing rockets at helicopters as it is contemplating the Cartesian model of mind-body dualism, which gives it a satisfying, sweet-and-sour tang of its own.
Wrongheaded in conception, eye-rolling in execution, Chappie is a childish blend of the cute robot goofiness of “Short Circuit,” and the bloody-minded mayhem of “Robocop.” Neill Blomkamp, the director of “District 9,” has utterly exhausted his supply of South African sci-fi ideas with this disaster, an excruciating two hours of your life you will fear, quite rightly, ever getting back.
Screen International by Tim Grierson
Chappie is a bucket of bolts, Blomkamp’s desire to say meaningful things outdistancing his ability to say them compellingly.
The Hollywood Reporter by Todd McCarthy
With unappealing one-note characters, retread concepts and implausible motivations, Chappie is a further downward step for director Neill Blomkamp.
Time Out London by Tom Huddleston
This hugely entertaining oddity could never be mistaken for the work of any other filmmaker.