40
This film, about a homicidal orphan girl, is farfetched nonsense with precious little to appease shriek freaks. Laird Koenig's screenplay from his novel is riddled with unsuspended disbelief - coincidences, gimmicks.
What are people saying?
What are critics saying?
63
Washington Post by Gary Arnold
While it's too pat, Little Girl is several cuts above thrillers in the dopey, bedraggled class recently exemplified by Burnt Offerings and The Sentinel. [17 May 1977, p.B9]
50
The New York Times by Janet Maslin
Nicolas Gessner's direction has a correspondingly comfortable feel, but this type of story is as old as the hills—no, older—and Mr. Gessner doesn't do much to make it plausible.
60
Village Voice by Melissa Anderson
Gessner’s film may be for Foster completists only. But the intensity of her dead-eyed stare as the final credits scroll across her face reminds us of her preternatural ability, as a kid and beyond, to transform even the most negligible movie or scene into an event.