If only von Trier could work beyond the poster art concept. Antichrist stubbornly fails as a gothic nightmare and meanders as a misanthropic two-character drama.
What are people saying?
What are critics saying?
The New Yorker by Anthony Lane
It would be a shock if Antichrist had turned out to be anything but shocking.
Antichrist, which, above all, wants to make pain visceral, is less successful at projecting authentic experience--the shock tactics are ultimately numbing.
ReelViews by James Berardinelli
Bottom line: Do I recommend Antichrist? Tough to do, but tough not to. For those who are intrigued by the controversy, it may be worth the sacrifice, if only so you can evaluate it from a position of knowledge.
The new movie is a joke, a toxic cocktail of banal psychobabble, laughably arty slo-mo flourishes and unmotivated sexual violence that only brain-in-jar types could take as a serious statement.
A star rating is not much help, since von Trier’s self-conscious arrogance is calculated to split audiences into extremist factions, but Antichrist delivers enough beauty, terror and wonder to qualify as the strangest and most original horror movie of the year.
Entertainment Weekly by Owen Gleiberman
The trouble is, it's all too exhibitionistic to ring true. The impotent folly of Antichrist is that von Trier has made it his mission to shock the bourgeoisie in an era when they can no longer be shocked.
Rolling Stone by Peter Travers
Depending on your reaction to the cinematic outrages perpetrated by Danish director Lars von Trier (remember Dogville?), you might want to add or subtract two stars from the halfway (half-assed?) rating I just gave Antichrist.
Lars von Trier cuts a big fat art-film fart with Antichrist. As if deliberately courting critical abuse, the Danish bad boy densely packs this theological-psychological horror opus with grotesque, self-consciously provocative images.
An absolutely grueling watch, just when Lars Von Trier makes it seem like there's hope for these characters to escape their neurosis, he douses your retinas with another pot of boiling profanity. Too artistic to be called "bad," yet perhaps too embroiled in the base to be deemed "good," this film is sure to make even the most desensitized viewers deeply unsettled. Proceed with caution.