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Enough Said

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United Kingdom, United States · 2013
1h 33m
Director Nicole Holofcener
Starring Julia Louis-Dreyfus, James Gandolfini, Catherine Keener, Toni Collette
Genre Comedy, Drama, Romance

A hilarious and heartwarming comedy about first impressions, second chances, and fresh starts. Eva is a divorced, soon-to-be empty-nester who decides to take a chance on her new love interest Albert, but things get complicated when Eva discovers that Albert is the dreaded ex-husband of her new best friend.

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What are critics saying?

60

The Guardian by

All in all a comedy that starts out like a pudding made of first world problems ends up warming your heart and that is in no small part down to the strength of its two leads. As a final act, it's a touching one.

60

Film.com by Jordan Hoffman

While there are some okay side stories (stuff with the daughters and daughters’ friends) it kinda feels like attending a dinner party and checking in on the first world problems of a friend you kinda like, but don’t like enough to ask any follow up questions.

70

Variety by Justin Chang

Enough Said may be her cleanest, most polished and broadly funny effort to date; its emotional generosity is undeniable, but so is its tendency to smooth over some of the hard, brittle edges that have been the more interesting hallmarks of Holofcener’s work.

83

The Playlist by Kevin Jagernauth

Enough Said is another tremendously well crafted, intelligent dramedy about people, with complicated lives, who make bad decisions trying to do the right thing.

75

Observer by Rex Reed

Although Enough Said never really surmounts its TV sitcom style and structure, the director provides a nuanced entertainment that is enjoyable. She is aided beyond measure by the charisma of her two stars — especially Mr. Gandolfini, who reveals a side of himself we’ve never seen before.

90

Village Voice by Stephanie Zacharek

Louis-Dreyfus and Gandolfini are lovely together, though her character is the sharper-edged of the two. It's Gandolfini's Albert, soft-hearted and soft-bellied, who suffers more. Gandolfini takes the movie's small, offhand jokes and intensifies them.

80

The Hollywood Reporter by Todd McCarthy

This is Holofcener’s sweet spot, the depiction of the emotional confusions, self-deceptions, uncertainties and misguided decisions that can cloud and get the better of otherwise bright, aware people, especially the female characters she tends to specialize in.

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