That intertwining of Burnat's home life and his political one make 5 Broken Cameras an unusual, moving work about a much-explored topic.
What are people saying?
What are critics saying?
The New York Times by A.O. Scott
5 Broken Cameras deserves to be appreciated for the lyrical delicacy of his voice and the precision of his eye. That it is almost possible to look at the film this way - to foresee a time when it might be understood, above all, as a film - may be the only concrete hope Mr. Burnat and Mr. Davidi have to offer.
What makes 5 Broken Cameras stand out is its insistence on nuance and its refusal to get caught up in the self-defeating war of words over who is the bigger victim.
The Hollywood Reporter by John DeFore
The result is uniquely powerful, putting faces and human consequences to a political dispute that seemingly will never end.
There has to be room for this kind of plea, especially a work that, obliquely, captures so many largely unreported details: the night raids rounding up children, the torn-up olive trees and kids' soccer games in the battle zone.
An undeniably powerful record of the Palestinian village of Bil'in's course of civil disobedience from 2005 to the present...the pic is also shamelessly sentimental and manipulative in its construction.
The Globe and Mail (Toronto) by Liam Lacey
Both a moving first-person essay and an artful exercise in political advocacy, 5 Broken Cameras is about the experience of West Bank protests from the inside.
The issues are complex and not easily solved. But no matter which side you are on, you'll be moved by this intimate work.
San Francisco Chronicle by Walter Addiego
The film's sense of intimacy, its closeness to real people and painful events, allows it to reach a deeper place than more conventional pieces of political rhetoric.