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Italy, United States · 1990
Rated R · 1h 43m
Director Abel Ferrara
Starring Christopher Walken, David Caruso, Laurence Fishburne, Victor Argo
Genre Crime, Thriller
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A former drug lord returns from prison determined to wipe out all his competition and distribute the profits of his operations to New York's poor and lower classes in this stylish and ultra violent modern twist on Robin Hood. A tough and haunting look at Manhattan and its criminals.
Ferrara’s movies have the iridescence of Miami Vice (Ferrara directed some episodes), the rude energy of the B’s, and a sophisticated style that glides above their subjects. King of New York careens along loonily: A gaunt Christopher Walken, his eyes beginning to bulge like Peter Lorre’s, plays an eccentric Robin Hood gangster who coolly murders his rivals but offers millions to a hospital in the South Bronx.
Those who found, say, Internal Affairs, a "stylish" affair will be able to say the same of this, only it's more so. The more squeamish will prefer to take Manhattan Woody Allen style.
[Abel Ferrara's] specialty is a kind of hallucinatory tawdriness, and here, he's made a hepped-up film about drugs that plays as if the filmmakers themselves kept a healthy supply of the stuff at hand.
The New York Times by Janet Maslin
Mr. Walken, as Frank, does a memorable job of taking a fanciful projection of corruption, greed and complacency, giving it intelligence, and making it flesh and blood.
Chicago Reader by Lisa Alspector
The imposing performances in this chess game between pointedly black and white criminals (Christopher Walken, Laurence Fishburne) and police detectives (Victor Argo, Wesley Snipes, David Caruso) are as impressive as ever.
Rolling Stone by Peter Travers
Ferrara’s blend of toughness and lyricism turns this visionary crime film into something stylish, seductive and haunting.
Chicago Sun-Times by Roger Ebert
What Ferrara needs for his next film is a sound screenplay...He has gone about as far as a director can go on pure style.
Argo's earthy features and self-effacing style make him a memorable foil to the flashier Walken. Without him, King Of New York might be written off as exploitative gangsta fare, all sleaze and decadence for its own sake. With him, it has the ballast of common decency.
Jan begins his career as a frankfurter vendor, and slowly learns the power of money and the influence it exerts over people.
When people are afraid of you, you can do anything.
Shame, shame, everybody knows your name!
Like a child's dream come to life...