Instant Dreams

Film Threat by Bobby LePire

Instant Dreams makes a strong case for the necessity of instant photography. Its three main subjects are compelling and well spoken. The film’s powerful, hypnotic images, and the mesmerizing score only add to the dream-like atmosphere being conveyed.

Slant Magazine by Chuck Bowen

While the film offers an appealingly nostalgic trance-out, it’s often short on detail, especially in terms of Stephen Herchen’s struggle to create the instant film technology, which director Willem Baptist reduces to exchanges of jargon in atmospheric laboratories.

The Hollywood Reporter by Frank Scheck

Any viewers actually interested in the topic would be well advised to search elsewhere for information.

The New York Times by Glenn Kenny

Baptist’s approach, treating his subjects like characters in a drama, is ultimately frustrating.

Los Angeles Times by Michael Rechtshaffen

As long as he maintains his focus on the notoriously private Land and the painstaking efforts of Impossible Project’s chief technology officer and Polaroid vet Stephen Herchen to recapture lightning in an SX-70, Baptist delivers something reasonably compelling. Unfortunately the bulk of the overly artsy production is preoccupied with the exploits of others.

Movie Nation by Roger Moore

Instant Dreams is still an argument for the magical in a world that is “losing magic.”