Womb

Slant Magazine by

Too abstract to suggest a coherent moral lesson, but too remote to foster a satisfying emotional connection, Womb feels barren, an attempt to do too much that ultimately does very little.

The New York Times by Jeannette Catsoulis

If the 20-odd seconds of blank screen squatting pointlessly amid the opening credits aren't enough warning that you're in for some seriously sluggish storytelling, then the adoption of a snail as one of the central motifs should drive the point home.

Time Out by Joshua Rothkopf

Green was meant for quick-witted comedy. Unfortunately, she's becoming a mainstay of painfully sincere slogs.

NPR by Mark Jenkins

An incestuous payoff might be expected, given the casting of Green; she first attracted widespread attention in Bertolucci's "The Dreamers," as a young woman who is unusually close to her brother. But whatever happens, Womb is more melancholy than erotic.

Village Voice by Michael Atkinson

The glacial pace is only quickened for seconds at a time with evocative ideas and hints of satire.

The A.V. Club by Noel Murray

It's a fascinating film to think about, but far too cool to touch.

New York Post by V.A. Musetto

You are unlikely to see a movie about incest made as sensitively and tastefully as Womb. And although the characters speak English, the film is firmly anchored in European sensibilities, thanks to its Hungarian director, Benedek Fliegauf.