Existential but also intimate, Ad Astra is a stunning, sensitive exploration of the space left by an absent parent — and the infinite void of actual space.
What are people saying?
What are critics saying?
A remarkably stylish and fascinating space drama.
An awe-inspiring film.
Sublime and stupendous. Beautiful, bold and remarkably executed, this is Gray’s masterpiece, driven by a career-best turn from Pitt.
Gray proves beyond measure that he’s got the chops to make a movie like this. He also has a vision, of sorts — one that’s expressed, nearly inadvertently, in the metaphor of that space antenna. Watching Ad Astra, you may think you’ve signed on for a journey that’s out of this world, but it turns out that the film’s concerns are somberly tethered to Earth.
It’s often thrilling, occasionally improbable, sometimes confounding, but like its director, Ad Astra is never bound by the gravitational pull of the ordinary. Strap in.
While visually and aurally stunning, James Gray’s latest film doesn’t explore anything new.
The Hollywood Reporter by Sheri Linden
Writer-director Gray's handsomely crafted planet-hopping drama is by turns vividly eventful and deliberate in its uneventfulness, and it feels caught, somewhat awkwardly, between stark simplicity and violent leaps into hyperdrive.
Though principally a meditative experience, Ad Astra also makes room for some superb suspense sequences, resulting in a thought-provoking film with life-or-death stakes.
It’s an extraordinary picture, steely and unbending and assembled with an unmistakable air of wild-eyed zealotry. Ad Astra, be warned, is going all the way - and it double-dares us to buckle up for the trip.
Interesting sci-fi film. It does have an interesting balance of the action and spectacle you might expect from a large scale spade odyssey type film, alongside more contemplative and introspective themes of family, parenthood, and finding meaning in life.