✭ ✭ ✭ ✭ Read critic reviews
United States, United Kingdom, France · 2011
Rated PG · 2h 6m
Director Martin Scorsese
Starring Asa Butterfield, Ben Kingsley, Sacha Baron Cohen, Chloë Grace Moretz
Genre Adventure, Drama, Family
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Orphaned and alone except for an uncle, Hugo Cabret lives in the walls of a train station in 1930s Paris. Hugo's job is to oil and maintain the station's clocks, but to him, his more important task is to protect a broken automaton and notebook left to him by his late father. Accompanied by the goddaughter of an embittered toy merchant, Hugo embarks on a quest to solve the mystery of the automaton and find a place he can call home.
Scorsese's affection for cinema is, of course, no surprise, and Hugo doesn't shy away from stumping for the cause of his Film Foundation; which isn't to say it's a vanity project, at least not any more than any film with a budget in the nine figures is.
Arizona Republic by Bill Goodykoontz
What Scorsese has really made is a beautifully crafted love letter to movies, the passion of his life. What sounded like an odd pairing winds up being a perfect fit.
Overall, however, the manner in which the film blends the tale of an imperiled boy and the history of cinema makes for an ambitious and fanciful ride.
Hugo is superbly playful.
St. Louis Post-Dispatch by Joe Williams
For cinematic sojourners, Hugo is a trip to the moon.
Boxoffice Magazine by Pete Hammond
Magical and imaginative, this eye-popping masterpiece from director Martin Scorsese will transport audiences to a place they won't believe.
Rolling Stone by Peter Travers
Scorsese builds Hugo in the Méliès manner, creating a complete, ravishing Parisian world on a soundstage in England and reveling in the sheer transporting joy of it. Hugo will take your breath away.
Orlando Sentinel by Roger Moore
A stunning exercise in 3D and a delightful celebration of Scorsese's lifelong love of the movies, something he, like Hugo, developed on childhood.
The Hollywood Reporter by Todd McCarthy
A fabulous and passionate love letter to the cinema and its preservation framed by the strenuous adventures of two orphans in 1930s Paris.
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