Kung Fu Killer is like a roundhouse kick from the past, a satisfying, old-school martial arts film that has a ’90s feel to it.
What are people saying?
What are critics saying?
Director Teddy Chan's glossy thriller pays tribute to martial-arts cinema by casting enough Hong Kong industry legends to rival the cameo count of It's a Mad, Mad, Mad, Mad World. It's a pity, then, that it's an undeniably bland film in style and story, despite a few elaborately staged fight sequences.
Arizona Republic by Bill Goodykoontz
Like a greatest-hits album, it's not as deeply satisfying as an artist's best work (try Yen's "Ip Man"). But it will keep you entertained.
The Hollywood Reporter by Frank Scheck
The sort of film that would be best appreciated in the '70s-era grindhouses that sadly no longer exist, Kung Fu Killer is delicious popcorn fare.
The A.V. Club by Ignatiy Vishnevetsky
Here, in this entertaining, preposterous goof of a kung fu movie, are all those values missing from the mainstream of American action filmmaking, not the least of which is a sense of the camera as a participant.
The Guardian by Leslie Felperin
The fight scenes are terrific, but the haphazard plotting, off-the-peg characterisations and drippy music elsewhere lack flavour.
The New York Times by Nicolas Rapold
Mr. Chen, who teamed with Mr. Yen for the superior “Bodyguards and Assassins,” scatters references to Hong Kong martial arts classics. But while he has impressive fists of fury in both Mr. Yen and Mr. Wang, Kung Fu Killer lacks the brio and spice of its ancestors.
Los Angeles Times by Robert Abele
The plot is predictable, but the inevitable showdown is, appropriately, the movie's highlight, a ferocious hands-on battle — save for the balletic bamboo pole interlude — on a busy, night-lit expressway, with semis and cars roaring past. It's a climax worthy of the tribute thread running through Kung Fu Killer.