✭ ✭ ✭ ✭ Read critic reviews
United Kingdom · 1990
Rated R · 1h 43m
Director Mike Leigh
Starring Alison Steadman, Jim Broadbent, Claire Skinner, Jane Horrocks
Genre Comedy, Drama
Please login to add films to your watchlist.
A melancholy and funny film about a working-class family living in a suburb just north of London. This film paints a vivid portrait of ordinary existence in which even the most modest dreams, such as the father’s desire to open a food truck business, carry enormous weight and consequences.
An off-center, lighthearted but perceptive study of people following their dreams in the only way they know how, Life Is Sweet-the title is only somewhat ironic-is a warm and joyful piece, with the tossed-off hilarity smoothly giving way to poignance in its darker final segments.
Leigh hasn't the affect of a poet, but he's a poet nonetheless. This movie captures the smallish details in life that perhaps you've felt before, but have never before seen on screen. He has a genius for the commonplace. It is truly sweet stuff.
Nobody makes films as sympathetic to struggling working-class types as Mike Leigh, and nobody makes them as uncondescendingly. Although uneven, Leigh's latest, Life Is Sweet, is a honey of a film, one of the few to feel good about in this dismal year. [22 Nov. 1991, p.35]
Los Angeles Times by Kenneth Turan
You feel protective about Leigh's work because its almost indescribable virtues touch the heart, yet far from being some delicate flower, Life Is Sweet has the wild, brazen, anything-goes energy of a 2-year-old, willing to take chances that would freeze the blood of another, more timidly conventional film.
Austin Chronicle by Marjorie Baumgarten
Life Is Sweet observes this constellation of people without ever really commenting on their lots. Very little occurs and thus, if you don't find yourself drawn to these characters, you will find yourself wondering when it will all be over.
Entertainment Weekly by Owen Gleiberman
Leigh gives you such a strong sense of his characters as fluky individuals that even his most lackadaisical scenes are alive with possibility. What holds Life Is Sweet together is his perception — at once funny and wise — that people, when they change at all, do so in small, nearly imperceptible ways, and that that may be enough.
San Francisco Chronicle by Peter Stack
Life Is Sweet, a comedy with wonderfully touching moments by off-beat British director Mike Leigh, is an absolute gem of eccentric humor about family life. Fresh and quirky, the film dishes up astonishing vitality in its look at what is ostensibly a plain, lower middle-class family in Middlesex. [22 Nov. 1991, p.C5]
Chicago Sun-Times by Roger Ebert
There are scenes here that are funnier than those of any other movie this year, and other scenes that weep with the pain of sad family secrets, and when it's over we have seen some kind of masterpiece. This is one of the best films of the year.
The New York Times by Vincent Canby
Life Is Sweet, a title that should not be taken as irony, demands that the audience accept its meandering manner without expectations of the big dramatic event or the boffo laugh. It is very funny, but without splitting the sides.
An anthology of five different cab drivers in five different cities and their remarkable fares on the same eventful night.
Obey the rules.
A cook sells his soul for seven wishes and uses them to win the heart of his waitress colleague.
During a year, a very content couple approaching retirement are visited by friends and family less happy with their lives.
A Slice-of-life look at class struggle and conflict within one family in King's Cross, England.
Two young women rekindle their friendship after parting ways at their college graduation, six years earlier.
A moving portrait of Margaret Humphreys, a British social worker who uncovered a shocking injustice.
The world is yours.
It takes a bear to catch a thief.
Your Darkest Dream Awaits You