Los Angeles Times by Carina Chocano
The uncomplicated humanism of Joyeux Noël, with its Christmas message of peace, feels at once irrefutable and refreshing.
Los Angeles Times by Carina Chocano
The uncomplicated humanism of Joyeux Noël, with its Christmas message of peace, feels at once irrefutable and refreshing.
Joyeux Noël is gritty and disturbing with its extended scenes of war and destruction. It also is emotional, even a touch sentimental.
Joyeux Noël finishes up as no more than a garden-variety tearjerker, neatly packaged for Oscar candidacy. It's not hard to see why the French chose this inoffensive weepie as their nominee for best foreign-language film, when they might have had Jacques Audiard's far superior, if more difficult, "The Beat That My Heart Skipped" or Arnaud Desplechin's "Kings & Queen."
New York Daily News by Jami Bernard
You can't go wrong with an uplifting, anti-war story like this, but director Christian Carion trowels on the schmaltz, and the movie's emphasis on Christian values actually seems to spell doom for solving today's conflicts with the Middle East.
Village Voice by Jessica Winter
Carion is no Jean Renoir, but he does strike an appealingly low key of tender, faintly goofy affinity between the combatants.
A period drama marbled with humor, bold gestures and bittersweet consequences.
Though a painless time-passer, Joyeux Noël ultimately contributes little to the venerable anti-war genre beyond its curious message that to some degree, war is hell because it prevents soldiers from making really neat friends and pen-pals from different counties.
Christian Science Monitor by Peter Rainer
If audiences are hesitant to believe that the fraternization in this film really happened, it will be because of the storytelling, not the story.
The Hollywood Reporter by Ray Bennett
With a cast of Scottish, German and French actors all speaking their own language, writer-director Christian Carion has fashioned a deeply moving and uplifting piece.
The New York Times by Stephen Holden
If the film's sentiments about the madness of war are impeccably high-minded, why then does Joyeux Noël, an Oscar nominee for best foreign-language film, feel as squishy and vague as a handsome greeting card declaring peace on earth?