This is strictly talking heads fare, broken up with movie clips, stills and home movies; fortunately, Jack Cardiff's ephemera are better than yours.
What are people saying?
What are critics saying?
The Hollywood Reporter by Frank Scheck
Informative and insightful for films buffs without sacrificing accessibility to the casual fan, "Cameraman" is essential viewing for anyone interested in film history.
Fantastical is what we get: Cameraman is filled with Cardiff's achingly beautiful work.
Legendary is an overworked adjective, but surely it applies to Jack Cardiff, the British cinematographer whose awe-inspiring resume includes some of the most beautiful Technicolor films ever shot, among them "The Red Shoes," "Black Narcissus" and "Stairway to Heaven."
Director Craig McCall approaches Cardiff with something approaching awe, though his subject views his accomplishments with the good-natured humility befitting a proper English gentleman.
Village Voice by Nick Pinkerton
Director Alan Parker (still living) nicely describes the tightrope teeter of Cardiff's hothouse imagery: "It's great art, and then it will be kitsch, and then it will be art again." Or is he summing up cinema itself?
The movie clips are luscious, as you'd expect, and Cardiff's own "home movies," shot on various movie sets with a 16mm camera, catch the gods during downtime.