60
The New York Times by A.O. Scott
Wanders rather than moves chillingly toward its climax.
What are people saying?
What are critics saying?
100
Christian Science Monitor by David Sterritt
Chabrol's filmmaking has rarely seemed more assured, elegant, and intelligent.
63
New York Daily News by Jami Bernard
While it's not quite as satisfying as Chabrol's underappreciated "Merci pour le chocolat" (2000), it's still nasty fun at the expense of the upper middle class.
70
Village Voice by Jessica Winter
Not to imply that our Claude's gone native, but here his unabiding fascination with bourgie-style repetition compulsion bears some resemblance to sympathy.
70
No one can quite capture that decay -- the guilty conscience that can freeze the blood of even the most reputable of France's bourgeois families -- better than Chabrol, and this the master at his best.
50
The Hollywood Reporter by Kirk Honeycutt
Chabrol has been making and remaking this film for six decades now. He seemingly will never tire of explaining how tired he is of the petit bourgeoisie.
70
A terrific multigenerational cast brings a subtle, mordant, frequently funny tale of family secrets vividly to life.
83
Entertainment Weekly by Lisa Schwarzbaum
The discreet stink of the bourgeoisie perfumes the wonderfully mordant, dry-eyed family saga, The Flower of Evil.
50
It's a drawn-out look at politics that's largely devoid of the trademark humor that long ago got New Wave veteran Chabrol labeled the Gallic Hitchcock.
70
For all its aloof indirectness, The Flower Of Evil wants little more than to sling another arrow at the bourgeoisie, something Chabrol has done with greater flair on many other occasions.