Master(마스터)

The New York Times by Ben Kenigsberg

Slick production values can’t disguise the lack of imagination.

RogerEbert.com by Brian Tallerico

Cho finally delivers in these scenes, twisting and turning his plot, while also giving us the car chases and gunfire we’ve been waiting for. The only question is if you’ll still be awake by the time he gets there.

Slant Magazine by Chuck Bowen

The film is seemingly terrified of boring us, offering one elaborate montage of catch and release (or of survey and flee) after another.

The Hollywood Reporter by Justin Lowe

The film is often so deterministically plotted that a sense of creative detachment hangs over far too many scenes, leaving an impression that the filmmakers may sometimes be more interested in making grand statements than in engaging interest.