The Paulo Coelho portrayed here is a selfish, reckless, immature, spoiled and deeply boring person.
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What are critics saying?
Daniel Augusto relies on familiar tropes pertaining to the sexy, rebellious rock-star artist who does things his own way.
The New York Times by Daniel M. Gold
The title of this biopic, Paulo Coelho’s Best Story, is apt: His own life might well be his greatest work. A pity, then, that the film, directed by Daniel Augusto, doesn’t chronicle his evolution better, leapfrogging among decades instead.
The Hollywood Reporter by Frank Scheck
Only the writer's most ardent fans — and they are legion, judging by his book sales of over 190 million copies — will find anything of interest here.
A dramatically flat and tediously disjointed drama that comes across as a standard-issue, cliche-littered, struggling-writer-finds-fulfillment biopic that has been cut-and-pasted into borderline incoherence.
Los Angeles Times by Sheri Linden
At the expense of emotional depth, Augusto emphasizes the story's sensory aspects. Sometimes this works, sometimes it's overkill.
Coelho's writing may be "more [widely] translated than [Shakespeare's]," as the coda claims, but Paulo Coelho's Best Story never successfully pins down its subject's genius.