Wang's vision is preferable to the esoteric chic of "Khadak," but the Chinese director still maintains an emotional remove from his subject.
We hate to say it, but we can't find anywhere to view this film.
What are people saying?
What are critics saying?
Chicago Reader by Andrea Gronvall
This 2006 drama is refreshing not only for its gentle comic touches but for director Wang Quanan's refusal to sentimentalize China's vanishing nomadic culture: life is harsh and no one's a saint, including his outspoken heroine.
A compact near-masterpiece that combines a slow-motion romantic comedy with a docudrama-style portrait of a remote, nomadic culture as it is gradually eroded by the tides of the 21st century.
Mainland helmer Wang Quanan and his regular lead actress, Yu Nan, tread on largely familiar ground in Tuya's Marriage.
This small, sweet drama from Chinese director Wang Quang An is picturesque, romantic and unexpectedly droll tale of life in one the world's most remote regions.
Los Angeles Times by Kevin Thomas
Thoroughly gratifying in its consistent inventiveness and has a grasp of human nature so universal that there's no feeling of the exotic about the film and its people.
Chicago Tribune by Michael Phillips
It is a fine and plaintive experience, more modern-day folklore than ethnographic study, and a wonderfully assured piece of cinema.
The New York Times by Stephen Holden
Mr. Wang and his screenwriting collaborator, Lu Wei (“Farewell My Concubine”), portray a world that, apart from its hardship, is thoroughly recognizable in its human complexity. Its characters are motivated by the same needs for companionship and material well-being and the same demons — greed, lust, jealousy and despair -- that drive everybody.
Has enough material to supply an entire year of a soap opera - in Inner Mongolia, that is.