Your Company
 

Mona Lisa and the Blood Moon

✭ ✭ ✭   Read critic reviews

United States · 2022
1h 46m
Director Ana Lily Amirpour
Starring Jeon Jong-seo, Kate Hudson, Ed Skrein, Evan Whitten
Genre Mystery, Fantasy, Thriller, Science Fiction

Mona Lisa, a young woman with psychokinetic powers, breaks out of a Louisiana asylum and makes her way to New Orleans, where she slips easily into the city’s netherworld of misfits and miscreants.

Stream Mona Lisa and the Blood Moon

What are people saying?

What are critics saying?

70

TheWrap by Ben Croll

Amirpour takes on the Big Easy, mixing a heady cocktail of EDM beats, Hollywood treacle and southern sleaze and sipping down Bourbon Street.

58

IndieWire by Christina Newland

Most of the movie’s machinations seem merely in service of deepening the central gambit, which is to follow Mona’s journey and to look cool while doing it. On that front, it succeeds, but the movie’s charms are limited when the originality it purports to offer only feels like a bit of a costume.

75

The Film Stage by David Katz

This is a midnight movie/B-movie-type work that knows exactly what it is––there’s no pretensions of “elevated horror” here. Mona Lisa is smart, politically aware, and reaffirms a bit of faith in Amirpour’s talent.

80

Variety by Owen Gleiberman

Mona Lisa and the Blood Moon is a lark, a contradiction — a lurid, violent, caught-in-the-gutter movie that’s also a nimble and knowing tall tale for adults.

80

Time Out by Phil de Semlyen

Amirpour’s career to date offers a triptych of stories of women navigating men’s worlds, and needing all their nous and resources to survive in them – and this is her most straight-up enjoyable survivor tale yet. It’s a feminist parable that may not linger as long as in the mind as her more provocative debut, but it’s irresistible fun in the moment.

60

The Telegraph by Robbie Collin

The film is ultimately little more than a trifle, but Hudson is the cherry topping: as this messy, crafty, grasping nightmare, the actress is more fun than she’s been in years.

50

Screen Daily by Wendy Ide

All seamy New Orleans sleaze, with a neon and nylon aesthetic, the film relishes its own trashiness. But the writing is not focussed enough to make this much more than a cheap thrill.

60

The Guardian by Xan Brooks

Mona Lisa and the Blood Moon offers street-food for the senses, served with lashings of hot sauce. It’s hardly nutritious but it tastes fine in the moment, wolfed down on the run.

Users who liked this film also liked