An awfully expensive and grossly extended Cialis commercial.
What are people saying?
What are critics saying?
The A.V. Club by Ignatiy Vishnevetsky
Like its predecessor, it’s a one-joke movie; the difference is that this time around, the joke is better.
While Bruce Willis, John Malkovich, Helen Mirren, et al. are still good for a few chuckles as a gang of superannuated government assassins, this globe-trotting action-comedy diversion applies a bigger-is-better philosophy across the board, upping the stakes, the firepower and the travel budget, but keeping real thrills and laughs at a modest trickle.
The Hollywood Reporter by Justin Lowe
Not that it isn’t entertaining, but the film's premise is certainly well past its “use by” date, resulting in another passably palatable sequel distinguished by a lack of narrative and stylistic coherence that could potentially underpin a really viable franchise.
Austin Chronicle by Kimberley Jones
It’s all supremely silly stuff, and amusingly so, as long as you don’t stop to think about all those blameless officers and agents cut down in the line of mindless entertainment.
Chicago Tribune by Michael Phillips
My favorite thing in the movie is the way co-star and Korean action icon Byung Hun Lee uses his feet of fury to hoist a paint can and send it flying.
McClatchy-Tribune News Service by Roger Moore
Red 2 goes down easily, from Marvin’s demented moments of relationship advice to Dame Helen’s tender and amusing “Hitchcock” reunion with Sir Anthony. There’s a knowing twinkle in their eyes, and in everybody else’s. “Yeah, we could’ve done a Bond film,” they seem to wink. “And it would’ve been a bloody fun one, at that.”
Village Voice by Stephanie Zacharek
Red 2, disappointing in so many ways, isn't torture to watch, in part because Mirren has even more to do than she did in the first installment.
The Dissolve by Tasha Robinson
The focus is much more on Sarah, Frank, and their repetitive, ugly dynamic than on the giddy elements that made the first film trashy fun.
A sequel that has some snappy interplay, typically courtesy of Malkovich, but mostly feels like a cast working to manufacture what came naturally the first time.