Juliet of the Spirits(Giulietta degli spiriti)

Portland Oregonian by

Flopped on its initial release, and it is a somewhat decadent and overlong production. But Masina's performance is, as always, engaging, and Fellini's glee at launching into color filmmaking is palpable.

Christian Science Monitor by David Sterritt

Masina gives one of her most expressive performances.

New Times (L.A.) by Gregory Weinkauf

Sometimes the cinema is just heavenly, and this is one of those times.

Los Angeles Times by Kevin Thomas

Remains a timeless, major work of a master.

Village Voice by Michael Atkinson

Juliet is never less than eye-catching, but is rarely more.

Chicago Tribune by Michael Wilmington

A mad, resplendent peacock of a film, a cinematographic riot of color and sensuality that evokes its era -- the swinging mid-'60s -- as much as any movie made during those giddy years.

The New York Times by Stephen Holden

Invites you to contemplate the symbolic vibration of every hue in its teeming, overcrowded canvas.

Seattle Post-Intelligencer by William Arnold

Above all, the film is just wonderfully ... well, Fellini-esque. It looks like nothing the cinema has seen since then.